However, if style is a manner of expression, surely figurative language should be examined too. He does interpret figurative language without identifying it as such, except as image or in other peopleвЂ™s quotations (e.g., CallaghanвЂ™s and David LodgeвЂ™s).

He furthermore does not consider figurative language as an aspect of style, which he limits (not necessarily wrongly) to literal diction, syntax, rhythm, repetition, and tone. Metcalf thereby discourages comparisons of these writers even though they, together, can teach us something about the literature of their era. Much more fraught, however, is to follow John MetcalfвЂ™s вЂњWinner Take AllвЂќ (1993), a scathing rebuttal to anyone who has ever suggested that CallaghanвЂ™s reputation as a writer, more specifically a stylist, was or is unfairly obscured by HemingwayвЂ™s. Their infamous boxing match in Paris in June, 1929, when Hemingway was reportedly bested by his kindred spirit and former colleague from the Toronto Star, can still affect interpretations of both writers and their work-interpretations that could emphasize the muscular masculinity of their personas to the detriment of other aspects. 1 See, for examples, Mitchell (20-21), Nakjavani (60-62), Perz (111), Sutherland (20-22) and Callagha (.)ДЎ Re-matching Ernest Hemingway and Morley Callaghan is a fraught endeavour.Pourquoi certains Г©crivains se prГ©occupent-ils de la mГ©taphoreВ ? Quelles attitudes Г lвЂ™Г©gard de la vГ©ritГ© influent sur leur utilisation de la mГ©taphoreВ ? De quelles mesures Г©crivent-ils mГ©taphoriquement et honnГЄtementВ ? В«В The Capital of the WorldВ В» dвЂ™Hemingway (1936) et В«В A PredicamentВ В» de Callaghan (1929) contiennent des mГ©taphores dont les dimensions performatives attГ©nuent les prГ©occupations des rГ©alistes quant Г la faussetГ© de la mГ©taphore. Cette combinaison permet dвЂ™expliquer comment le type spГ©cifique de mГ©taphore utilisГ© dans les textes brefs Г©tudiГ©s ici introduit un compromis Г©thique entre vГ©ritГ© et mensonge.

Il rappelle les distinctions conceptuelles rГ©centes en linguistique ainsi que les questions morales de la philosophie du langage au milieu du siГЁcle dernier en lien avec le rГ©alisme. Cet essai en deux parties considГЁre lвЂ™utilisation de mГ©taphores conscientes et thГ©Гўtrales comme des В«В revendications de vГ©ritГ©В В» acceptables pour des rГ©alistes modernes tels que lвЂ™Г©crivain amГ©ricain Ernest Hemingway et son ami et collГЁgue canadien Morley Callaghan.

The capital of the world hemingway paco